Click on the booklet for a description
Click on the image to enlarge
Face of hidden stories
A playful portrait of a woman between reality and imagination, where color speaks louder than skin. She looks at you, not only with confidence but also as if she is asking something of you. Her green tones detach her from the everyday, she becomes not a person, but a feeling that lingers.
Behind her, a city fades into a memory, soft and elusive.
A painting about who we are when we are seen, and what remains when we no longer hide.
An unspoken thought
A portrait of a woman painted as if she has just had a thought that has not yet found words. Her gaze drifts slightly, not to avoid, but to hold onto what still lives within. What is visible is only a fragment of what is unfolding inside.
Behind her the world fades into a soft echo, a whisper of the city and of memory.
A painting about that one moment when a thought lingers, unspoken, yet felt in everything.
She who sees beyond being seen
A portrait of a woman as someone who looks beyond what is visible, as if she sees more than she reveals, as if the world unfolds to her in layers.
In the background, a bird drifts, vague and untouchable, like a memory or a thought just beyond reach. Architecture both emerges and dissolves, as though place and time refuse to settle.
A painting about seeing what is not shown at first glance, about the silence behind the gaze, and everything that lingers hidden within.
The gaze that lingers
A portrait of a woman held within a moment, as though she sees something that does not fade. She meets your eyes without hesitation, yet never fully reveals herself, her gaze lingers, as if leaving something behind within you.
The background dissolves into a silent echo of the city, like a memory that will never become fully clear again.
A painting of that one moment that settles within you, a gaze that does not disappear but keeps resonating long after you’ve encountered it.
Echoes of the past
A portrait of a woman in a moment of quiet reflection, as if she is listening to something still echoing from the past. Her gaze is soft yet attentive, not directed at the world around her, but at what unfolds within.
Her hat, adorned with a bow and warm hues, gives her a sense of elegance and timeless grace, while her blue hair flows from beneath it like something untouchable. Her gloved hand, in soft purple, rests against her face, a gesture at once tender and protective.
The background dissolves into a soft presence of forms and architecture, like echoes of a place once clear. Everything lingers at a distance, as though the world itself has become a memory.
A painting of what remains, of traces from the past that gently nestle into the present, revealed in a gaze, a posture, a single gesture.
The passerby from another time
A portrait of a woman who seems suspended between times. Her gaze is clear, yet not here, as if she is looking at something beyond the present, something visible only to her.
The cape around her head and shoulders envelops her like a quiet protection. It lends her a sense of timelessness, as though she has stepped in from another world or another era. Her hand against her head suggests a moment of listening, while the other holds a small form, fragile, as if it is something to be cherished.
The background remains vague and fragmented, with only hints of architecture and patterns that evoke memories or places that can no longer be fully reconstructed.”
A painting of a passerby through time, someone who briefly appears, carries something with her, and fades again, yet leaves behind a feeling that lingers, refusing to release its hold.
The soul of the forgotten city
A layered portrait of a woman as a bearer of memories, not only of herself, but of places, times, and stories that have settled within her. She meets your gaze with a calm that is not empty, but filled with all that has already been.
The forms around her and within her flow into one another. Boundaries dissolve, between inside and outside, between body and surroundings. She is not only in the city, she is the city, or what remains of it in memory.
Her gaze remains clear, almost still, as if she has already seen everything and no longer needs to hold on to anything.
A painting about what remains when something disappears, about how places and experiences settle within a person and continue to exist there long after the world itself has changed.
The hidden gaze
A dreamlike portrait of a woman who reveals herself only in part, while keeping the rest hidden. Her gaze is visible, yet not fully given away; one eye meets yours, while the rest withdraws, as if she decides how much you are allowed to see.
The large green hat casts a shadow that not only covers her face, but also suggests a sense of protection, of distance. Her red lips, by contrast, remain vivid and present, a quiet tension between what stays hidden and what comes forward.
In the background, forms of a city dissolve, as though memories are slowly fading.
A painting about choosing what to reveal, about the space between being seen and keeping oneself, and the strength that lies within what remains hidden.
Face of time
A layered portrait of a woman who has moved through time, bearing its traces within her. She meets your gaze without hesitation, as though she has nothing left to prove, only to be.
The hat gently encircles her head, almost as a form of protection, while her red hair glows from beneath. Her hand rests in view as a quiet gesture, simple yet full of meaning, as though it marks a moment of rest.
The background is filled with fragments of architecture and structure, woven into a whole that no longer belongs to a single place. It is not a city, but a memory of many.
A painting of what time leaves behind within a person, not as a weight, but as a presence. A face that not only sees, but carries all it has seen.
Between thought and dream
A layered portrait of a woman moving between thought and dream. Her gaze is soft, yet not absent, as if she is here and elsewhere at once.
The light-colored hat and the large earrings give her something tangible, something grounded, while the structures and fragments in her face and the background detach her from any fixed place. The city behind her is not a concrete location, but a layered memory that seems to flow through her.
A painting about that in-between space we so often inhabit, not fully in the present, not entirely gone, where thought slowly dissolves into dream.
Silent elegance
A tranquil portrait of a woman as a quiet presence, someone who does not need to speak to be seen. Her gaze is direct yet gentle, as if she perceives you without judgment, with a calm that feels effortless.
The hat encloses her head, while the colors and structures within it suggest movement. In her hand rests a gesture that is both light and deliberate, as if she balances between spontaneity and control.
The background is interwoven with fragments of architecture, as though built from memories. They surround her without confining her; she remains detached from the place, yet carries it with her.
A painting about quiet strength, about the elegance that emerges when someone needs nothing to be present.
Listening to the past
A dreamlike portrait of a woman listening to what is no longer spoken. Her posture is soft, almost intimate, as if she withdraws for a moment from the present to catch something still echoing from the past.
Buildings, streets, and fragments of places rest over her like a thin skin, as though she carries them within her, not as a weight, but as part of her being.
The phone at her ear is a symbol, a connection to something not immediately present. What she hears remains unseen, yet is felt in her gaze.
Her skin and body are interwoven with images of streets, bridges, and facades, a city flowing through her like a memory.
A painting about listening to what has passed, about how the past does not fall silent, but continues to speak softly, as long as you are willing to listen.